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The Boss Is Back.



After a relatively quiet few months following the announcement of an impending new album and European tour dates late last year, Bruce Springsteen fans were treated to a sudden flurry of new activity today, including a clearer picture regarding long expected U.S. Tour dates, as well as details on Springsteen's new album.


Several internet news sources, reported on Wednesday that the new Bruce Springsteen album will be titled Wrecking Ball, with Consequence Of Sound even publishing a track listing and what it is claiming to be the album cover art.




If these reports are accurate, at least three songs from the album will already be familiar to Springsteen fans.

These include the title track, "Wrecking Ball," which Springsteen first performed on tour at Giants Stadium, just before it was demolished. "Land Of Hope And Dreams" has been a staple of E Street Band shows going as far back as their 1999-2000 reunion tour, and "American Land" (listed as a bonus track), has been performed live both with the E Street Band and on the Seeger Sessions tour.




Other songs which seem to match the reportedly political tone of what some insiders are already calling Springsteen's "angriest sounding album" to date, include such intriguing titles as "The Depression," "Shackled And Down," and "Death To My Hometown." Could we have an even more unhappy sequel to the unlikely Born In The USA hit here?

Produced by Ron Aniello (Patti Scialfa, Jars Of Clay), the album combines tracks recorded with the E Street Band, with solo performances said to include “unexpected textures, loops, electronic percussion" and "influences and rhythms from hip-hop to Irish folk.” Guest musicians on the album reportedly include Rage Against The Machine guitarist Tom Morello and former Pearl Jam drummer Matt Chamberlain.

Although as of this writing, neither Springsteen's official website or the always reliable Bruce news source Backstreets Magazine were confirming the reports, iTunes is listing a March 6, 2012 U.S. release for Bruce Springsteen's Wrecking Ball. The iTunes store is also displaying the same cover art shown here.



What is absolutely official however, is Springsteen's new single "We Take Care Of Our Own," which went on sale at midnight Thursday on ITunes and Amazon.com. Running somewhat contrary to the early reports of this being a more experimental album, "We Take Care Of Our Own" is a classic E Street Band track, anchored by a big Max Weinberg drum intro, calliope keyboards, and the most muscular sounding production on an E Street Band studio recording since The River.

The sound is somewhere between "Hungry Heart" and the Beach Boys' "Wild Honey" (which the guitar intro liberally borrows from). The lyrics meanwhile, fit right into the contemporary political themes already being reported by numerous sources. With lines like "the road to good intentions has gone dry as a bone," "We Take Care Of Our Own" could almost be foreseen as the sort of rallying cry you are likely to hear at Occupy rallies during the volatile political season certain to be coming this summer. One can only hope.

Finally, for Springsteen fans awaiting word of U.S. concert dates, Rolling Stone reports that both spring and fall dates are in the works, with several arenas already booked, including an Austin date to coincide with Springsteen's March 15 keynote address at this years South By Southwest music industry con-fab.

Stay tuned.



This article was first published at Blogcritics Magazine
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Barely a week into the new year, and 2012 is already shaping up to be a potentially huge one for the concert industry. Step aside Lady Gaga, because it looks like classic rock and legacy bands are going to rule the road in 2012. Among the biggest tickets already confirmed for an arena near you sometime in 2012, are the Van Halen reunion and a long awaited Radiohead tour.



Bruce Springsteen's first American shows with the E Street Band since the death of longtime right-hand man, Clarence "The Big Man" Clemons, are also expected to be announced any minute now.

Ditto that for dates reuniting the Beach Boys with creative genius Brian Wilson. A 50th Anniversary reunion tour from the Rolling Stones — including former Stones Bill Wyman and Mick Taylor, according to some reports — is also heavily rumored for 2012.

Figure in the other tours expected to do big business this year — including Coldplay, Roger Waters performing The Wall, and a possible Madonna run following her Super Bowl warmup — and all the ingredients for a record breaking concert season appear to be in place. But of course, there are also the inevitable intangibles.



With the economy still reeling, and so many big names to choose from this year, the question of ticket prices becomes a larger one than ever. So far, Coldplay and Radiohead have kept their top seats at about $100. or less, and Springsteen has traditionally held his prices at about the same level.

The Stones on the other hand have never shied away from charging the big bucks for their stadium extravaganzas. It's hard to imagine things will be any different for the much bigger deal of an anniversary run — especially one that's been teasing the return of a few names from the band's legendary past. The Stones are also said to be eyeing arenas, rather than stadiums this time around, which could mean even higher prices.



The Beach Boys reunion with Wilson is probably the biggest question mark though.

While Brian Wilson has mainly toured solo in theaters and small halls, the Mike Love/Al Jardine led version of the Beach Boys has been a staple on the oldies circuit for years, performing mainly at county fairs and the like.



Both acts have also drawn significantly different crowds. The Beach Boys draw a more conservative group of oldies fans who just want to hear the hits, while Wilson's audience are just as likely to come out expecting something like SMiLE or Pet Sounds, as they are "Surfin' USA" and "Barbara Ann." Fortunately for fans, both have kept ticket prices low. It will be interesting to see if they continue to do so on the reunion tour.

Here is what we know (so far at least), about some of this year's biggest concert tours:

Van Halen:



The reunion of Van Halen "Mach One" with original vocalist "Diamond" David Lee Roth kicks off February 18 at Louisville, Kentucky's KFC Yum! Center, and wraps up on June 26 in New Orleans.

Tickets for the first shows will go on sale January 14. Roth joins Eddie and Alex Van Halen, along with Wolfgang Van Halen on bass (replacing Michael Anthony, which has angered some fans). Fans of the latter, "Sam Halen" version of VH featuring Sammy Hagar, will likewise be disappointed.

Opening the shows is Kool & The Gang, the original seventies/eighties funk band responsible for hits like "Jungle Boogie" and "Let's Celebrate" — a choice which is bound to leave some longtime VH fans scratching their heads. Van Halen will also release a new album (with Roth) called A Different Kind Of Truth, through Interscope Records on February 7. If a warm-up date at New York's Cafe Wha! club was any indication, the band looks to be in top form and fans can expect to hear all the hits of the Roth era, from "You Really Got Me" to "Jump!". A complete list of tour dates can be found here.

Radiohead:



Radiohead's three week American arena tour supporting last year's The King Of Limbs album, gets underway with stops in Miami and Tampa at the end of February, and continues through March 15 with a date at Glendale, Arizona's Jobing.com Arena.

Most of the shows are already sold out.

From there, Thom Yorke and company will be in Europe for most of the summer. Since their current itinerary leaves the rest of fall wide open — and nothing at all has yet been announced for the West Coast — it is almost certain that more dates will be added. In addition to The King Of Limbs album, you can expect to see Radiohead trying out newer, unreleased material as well.

You'll find the complete schedule posted at Radiohead.com.

Bruce Springsteen And The E Street Band:



Since the original announcement of a 2012 E Street Band album and tour back in November, all we really know at this point is that Springsteen will be spending a lot of time in Europe this summer.

Beyond that initial burst of news, the Springsteen camp has remained frustratingly silent about any American dates, fueling all kinds of thus far unsubstantiated rumors in the fan community.

The most common story is that Springsteen will do a string of U.S. dates this spring, and his keynote address gig at this year's South By Southwest conference in Austin seems to back this scenario. However, with March fast approaching, and still no word, that window is also closing fast. There has likewise been no word of a replacement yet to fill the very big shoes of a certain very Big Man. There has also been no release date set for Springsteen's new album, which likely consists of sessions recorded last year with producer Ron Aniello, and has been described by Bob Seger as "really unusual" and "the best thing that he’s done in years.”

The most likely scenario for an American tour at this point looks to be a fall run, although I would love to be proved wrong and see a few, select stateside shows in March. The best place to check for any new info on Springsteen dates is Backstreets Magazine.



This article was first published at Blogcritics Magazine
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In Defense Of Coldplay

January 1st 2012 12:53
After watching them blow up the Space Needle here in Seattle, I spent a quiet New Years Eve at home.



Channel surfing through the various network offerings ringing in the New Year — which included a surprisingly hot Kathy Griffin stripping down to her bra and panties in Times Square, with an aghast Anderson Cooper looking on over on CNN; and the Ryan Seacrest/Dick Clark crapfest on ABC — I finally settled on the Coldplay Austin City Limits concert on PBS.

Now, before you go shrieking in horror at the mention of Coldplay, let's get something straight.

I like Coldplay.

The fact that this brings me considerable grief — both from my friends, and among some of my cohorts at Blogcritics — is really of little circumstance. The fact is, I think Coldplay are a very decent band, that gets nowhere the respect they deserve. That said, I also completely understand the criticism.

"Chick band?" Check.

Chris Martin's whiny falsetto alone virtually guarantees this charge. In fact, one of the funniest things I have ever heard in my life, was listening to a three hour Tom Leykis radio show driving home from work one night, that was devoted to the sole subject of why any real man would never be caught dead at a Coldplay concert.



Even though I had no choice but to agree with Leykis, I also couldn't help but admit that I'm one of those ball-less guys who actually likes them.

Of course, on the other hand, I can think of few other bands out there plying their trade today, that draw as many beautiful single women to their concerts since the eighties heyday of Journey.

Food for thought, gentlemen?

But let's get to the crux of the matter, which of course is the music. Tonight's New Years Eve Austin City Limits concert on PBS was a perfect example of why Coldplay actually is a pretty great band — especially in a live setting.

First off, they've recorded some really great songs.

And in A Rush Of Blood To The Head, they also have one certifiably great album. The gorgeous ballad "The Scientist," and especially "Clocks," — which features the single catchiest piano-based riff of the past ten years — solidifies Rush Of Blood's position as one of the best rock albums of the past ten years on it's own. And yes, rock it does.

Honestly, there isn't a clunker in the bunch. Track for track, it's a great album. Viva La Vida was also a damn decent record, especially that album's standout track, "Lost."

Of course, Coldplay have also made some less than stellar records.

But even their lesser albums like X&Y and the current Xylo Myloto, contain some great songs. On the former, Coldplay's stab at the grandiosity of Queen's "Bohemian Rhapsody" on the song "Fix You" particularly stands out, while on the current, largely underwhelming Xylo Myloto, I still can't help but be sucked in by the gorgeousness of "Paradise."



But then there is Coldplay live, and this is where the band truly stands out. One of the things I most enjoyed about the three Coldplay concerts I've seen — and particularly the last one I saw on the tail end of the Viva La Vida tour at the Gorge in Eastern Washington — is the way they engage the audience.

Outside of Bruce Springsteen and the E Street Band, I would be hard pressed to name any single rock and roll band today who captures a similarly communal feeling between audience and performer in concert.

The "whoa-ohs" exchanged between the guys onstage, and the folks in the crowd — and did I mention they draw some of the hottest looking girls you'll find at a rock show anywhere these days? — just really leave you with this warm and fuzzy effect, once you leave the arena. Girls aside, and for you rocker dudes out there, it should also be noted that Will Champion just pounds the living crap out of his drums in concert.

But the other thing that needs to be mentioned here, is the fact that these seem to be genuinely nice guys. Current crop of "The" bands aside (Cage "The" Elephant, Foster "The" People, etc.), the idea of earnest rock bands, particularly at a time when average working people are really hurting, is a really welcome one right now.

From what I can tell, Coldplay is a band that wears their hearts mostly on their collective sleeve. Sure, they would love nothing more to be U2 — especially since Brian Eno started producing their records.



Xylo Myloto is not an album that has me rushing to buy tickets to Coldplay's concert in Seattle this April (much as I like the one song, "Paradise") either.

But watching them at home alone tonight on PBS beat the crap out of Gaga, Bieber, and the rest of the "New Years Rockin' Eve" crap over on that other station.



Given the alternatives, Coldplay deserve a break.

This article was first published at Blogcritics Magazine
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Ladies and gentlemen, we don't have a winner.


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1978 was a curious time for the self-proclaimed "greatest rock and roll band in the world." For the very first time in their at-the-time still young history, the Rolling Stones position as rock's top dogs — and more importantly, their continuing relevance — was under serious challenge.


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It must be getting close to Christmas time.


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Unless you've been off living in a cave somewhere these past few weeks, you've no doubt been unable to escape all the hype surrounding the 20th anniversary of Nirvana's landmark 1991 album Nevermind.


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NYFAQ: Sooner Or Later It All Gets Real

September 22nd 2011 04:16
It's shameless self promotion and hype time, folks.


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Sometimes it takes something like watching a movie to really "get" an artist or band. This week, after watching multiple screenings of Stephen C. Mitchell's Talahina Sky: The Story of Kings Of Leon documentary on Showtime, I think I may have finally gotten the appeal of the post-modern, southern fried, gospel tinged rock of the Followill boys.


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DVD Review: Phil Ochs: There But For Fortune


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